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In 2014, Shakira featured Rihanna on her single “Can’t Remember to Forget You”. In December 2013, she topped both the Billboard Hot 100 and UK Singles Chart with a feature on Eminem’s song “The Monster”. Rihanna made a cameo in the comedy film This Is the End (2013), and later collaborated with rapper Wale on his remix of the single “Bad”. To promote the album, Rihanna embarked on the 777 Tour, performing seven shows in seven countries over the course of seven days. In September 2012, the music video for “We Found Love” won Video of the Year at the MTV Video Music Awards, making Rihanna the first woman to receive the honour more than once. In March, Rihanna and Brown released two remixes—her track “Birthday Cake” and his “Turn Up the Music”—which were criticized due to their history of domestic violence.

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More than its predecessor, Fearless blurs the line between country and pop thanks to crossover hits like “Love Story” and “You Belong With Me,” yet still keeps the confessional attributes known in country songwriting. Even as a new country artist, critics claimed that she “mastered” the genre while subsequently ushering it to a new era — one that would soon see Swift dabble in country-pop. betista casino One writer in particular, Liz Rose, applauded Swift’s songwriting capabilities, stating that she was more of an “editor” for the songs because Swift already had such a distinct vision.
Its win for Best Urban Contemporary Album at the 2014 GRAMMYs, however, proved that Rihanna’s reign wasn’t letting up anytime soon. “Mr. Jesus, I’d love to be a queen/ But I’m from the left side of an island/ Never thought this many people would even know my name,” she pleads in the seven-minute two-parter. Her swagger is boisterous in “Phresh Out the Runway,” “Jump,” and strip club anthem “Pour It Up,” but “Nobody’s Business” really drives home the album’s theme of being unbothered. Vocally, Rihanna’s strength lies in her ability to evoke raw emotion à la “Stay.” Featuring Mikky Ekko, the stripped-down, slow-burning piano ballad narrowly missed the top spot on the Hot 100 but gave Rihanna her 24th top 10 hit, surpassing Whitney Houston’s record of 23 in 2013. One of Rihanna’s most precious offerings to date, “Diamonds” emerged as a self-love mantra due to its uplifting “Shine bright like a diamond” chant. Its lead single “Diamonds” resonated in an equally major way, giving Rih her 12th No. 1 on the Hot 100.

Music of the Sun

An interpolation of Toots and the Maytals’ 1966 song of the same name, Sister Nancy’s in-studio freestyle was laid over sparse rub-a-dub production, allowing her declaration of ambition and skill to ring loud and clear. In addition to her status as a rare female voice in a sea of male performers at the dawn of dancehall, Sister Nancy is recognized for her influential, highly sampled single “Bam Bam.” While Sister Nancy needn’t be reminded of her influence — “I’m the woman who created dancehall … on the mic system, around the sound system. I’m the one who did all of that, first” — the past 15 years have seen the artist receive her flowers on a global stage. “I will never be your ordinary thing. When you come to see me, it doesn’t matter the time or the space, it’s always going to be good.” “People love what I stand for. I always give the audience something they can think about,” Sister Nancy tells GRAMMY.com, Zooming in from a car in Midtown Manhattan.
In addition to her musical career, Rihanna acted in the movies Battleship (2012) and This Is the End (2013). In 2023 she returned to the stage for the first time in some four years, performing at the Super Bowl halftime show. Included in the total were prominent collaborations with hip-hop artists T.I. The album that followed later that year, Rated R, much of which she cowrote, was marked by icily stark production and brooding lyrics that touched on revenge. With the effervescent dancehall-inflected single “Pon de Replay” (2005), Rihanna immediately captured an international audience.
In turn, Swift hasn’t just become one of the biggest artists of all time — she’s changed pop music altogether. Since then, she’s released 12 studio albums, re-recorded four as “Taylor’s Version,” and cultivated one of the most feverish fan bases in music. Furthermore, the deluxe edition consists of 16 tracks, half of which topped the Dance Club Songs chart — smashing the record (previously held by Katy Perry’s Teenage Dream) for the most No. 1s from a single album. “Same Ol’ Mistakes” is a cover of psychedelic rock band Tame Impala’s “New Person, Same Old Mistakes” — her first time remaking another artist’s song for her own album since “You Don’t Love Me (No, No, No)” on Music of the Sun. The album feels like one big celebration of life, as evidenced by Rihanna’s fire-engine red hair and No. 1 singles “Only Girl (In the World)” and “What’s My Name?” (the latter of which was Rih’s first collaboration with Drake). Despite being Good Girl Gone Bad’s lowest-charting single, Timberlake heralded the song as “the bridge for her to be accepted as an adult in the music industry.”

The Life of a Showgirl: Offering A Peek Behind The Curtain

Her musical career has been marked by experimentation, and she has stated that her goal was “to make music that could be heard in parts of the world that I’d never been to”. She began vocal training during the recording of Good Girl Gone Bad (2007) under the guidance of Ne-Yo, who taught her breathing techniques and vocal delivery. The song earned her nominations for the Golden Globe and Academy Award for Best Original Song. Alongside Donald Glover, she starred in the film Guava Island (2019), in which she played his character’s love interest.

• With its follow-up, “Our Song” — which spent six consecutive weeks on the top of Billboard’s Hot Country Songs chart — she became the youngest person to solely write and sing a No. 1 country single; she also became the first female solo artist in country music to write or co-write every song on an album.
• An interpolation of Toots and the Maytals’ 1966 song of the same name, Sister Nancy’s in-studio freestyle was laid over sparse rub-a-dub production, allowing her declaration of ambition and skill to ring loud and clear.
• In 2022, Rihanna advocated for reforming the global financial system to better address climate change and poverty, including providing aid to nations most affected by climate-related crises.
• Some songs, like “peace,” were recorded in just one take, capturing the essence and fragility in the song’s story, whereas the lyrics for the sun-drenched “august” were penned on the spot as Swift was in her makeshift home studio in Los Angeles.
• As a child, she sang Whitney Houston songs and “A Whole New World” (1992) into her hairbrush so frequently that her neighbors started calling her “Robyn Redbreast”.
• The Super Bowl performance earned Rihanna five Primetime Emmy Award nominations, including one for Outstanding Variety Special (Live).
• From addressing the aforementioned VMA incident in the forgiving “Innocent” to a toxic relationship in “Dear John,” Speak Now also hinted that her rose-colored glasses were cracked, but Swift (and her songwriting) was only becoming stronger because of it.

Throughout The Life of a Showgirl, Swift, Martin and Shellback craft tracks that go beyond what they created with 1989 and reputation. Reuniting with her pop powerhouse collaborators Max Martin and Shellback, who worked on her biggest pop radio hits like “We Are Never Ever Getting Back Together,” “Delicate,” “Blank Space,” and “Shake It Off,” was a return to form after the fog of TTPD. (“And all the headshots on the walls/ Of the dance hall are of the b—es/ Who wish I’d hurry up and die/ But I’m immortal now.”) On “The Life of a Showgirl,” she declares with her fellow showgirl that she isn’t handing over the baton just yet. The showgirl is actually the one in charge (“I was your father figure/ You pulled the wrong trigger/ This empire belongs to me”), alluding to her battle to retain her masters.
Her ability to captivate audiences across both music and film realms underscores her dynamic artistry and continued relevance in the entertainment industry. Her involvement in these projects demonstrated her ability to transition from pop music icon to a prominent figure in film. Her debut album, “Music of the Sun,” released in 2005, marked the beginning of her remarkable career, selling over two million copies worldwide. At the age of 15, she formed a girl group with school friends, which paved the way for her discovery by music producer Evan Rogers. With her distinct voice, groundbreaking style, and philanthropic contributions, Rihanna continues to leave an indelible mark on both the music industry and popular culture. Transitioning from a teen pop sensation to a mature artist, Rihanna’s work reflects her evolving artistic vision.
And yet, she has still come out the other side, sparkling, self-assured and ready to revel in a career built on resilience and reinvention — something only a true showgirl could achieve. When she announced the album, she declared, “And baby, that’s showbiz for you.” No one knows that better than someone who has been through the ringer in the industry like Swift has. What is most apparent on the album, though, is just how much Swift embraces every aspect of who she is.

• She plays with time — speeding it up in “Starlight,” dabbling in the past in “All Too Well,” and reframing it in “State of Grace” — to better understand her experiences.
• Rihanna began her music career at the age of 16 when she signed with Def Jam records.
• For her work on the single, Rihanna received her first Academy Award nomination, for best original song.
• Its win for Best Urban Contemporary Album at the 2014 GRAMMYs, however, proved that Rihanna’s reign wasn’t letting up anytime soon.
• Currently certified sextuple Platinum, ANTI also remains the longest-charting album by a Black female artist on the Billboard 200, with more than 508 weeks and counting.
• Swift herself has long embodied independence through redefining over and over what it means to be a pop star for over two decades.
• Commercially, Red debuted at No. 1 on the Billboard 200 and sold 1.2 million copies in its first week, becoming the fastest-selling country album and making Swift the first female artist to have three consecutive albums spend six or more weeks at the top of the chart.

If Taylor Swift was the soundtrack to navigating the early stages of teenhood, Fearless is Swift’s coming-of-age record. While her songwriting has developed and matured, feeling like an outsider and carving her own path is a theme she still writes about now, as seen on Midnights’ “You’re On Your Own, Kid.” On the track “A Place In This World,” a song she wrote when she was just 13, Swift sings about not fitting in and trying to find her path.

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“If you listen to the lyrics to that song, you know the depth and how far she’s come.” “The minute Rihanna walked into the room, it was like the other two girls didn’t exist,” he told Entertainment Weekly in 2007. The post featured a photo of Rihanna holding her new daughter, Rocki Irish Mayers, who was born on September 13. Rihanna is a Grammy-winning singer known for such No. 1 pop hits as “Umbrella,” “SOS,” “Diamonds,” and “Work.” In 2023 Rihanna revealed she was again pregnant by performing at the Super Bowl halftime show with a visible baby bump; her representatives subsequently confirmed that the singer was expecting her second child. Rihanna’s personal life attracted intense media attention.

Oldfield was rewarded for helping to scar a generation of moviegoers for life when a condensed version of his eerie masterpiece picked up the Best Instrumental Composition GRAMMY in 1975. And the soul legend further leaned into its supernatural theme in 2013 when he appeared as a witch doctor in a Bud Light Super Bowl commercial soundtracked by the ominous chart-topper. Along with giving GRAMMY gold to the likes of Smashing Pumpkins, Slayer and Vampire Weekend, the Recording Academy has embraced the odd musical spooktacular in several forms. “I have to appreciate ‘Bam Bam.’ I have no problem talking about it because it’s mine. I did the song, so I’m not tired of talking about it. I’m not tired of playing it either,” Sister Nancy says. “Mad Professor is someone I look up to. He’s a genius, and I love working with him,” Sister Nancy adds. She continues to release new music of her own, though she believes in letting projects simmer before embarking on something new.

Rihanna releases new music in honor of 20 years in music. Well, kind of.

The Tortured Poets Department proves that in the throughline of Taylor Swift’s many artistic eras is a commitment to exploration and a love of autobiographical lyricism. Celebrating her genre-defying and varied discography through The Eras Tour has resulted in old songs having a resurgence, new inside jokes and Easter eggs within the fandom, and a plethora of new listeners being exposed to Swift’s work. Country songs like “cowboy like me” and “no body, no crime” reaches back to Swift’s earlier work in narrative building, seamlessly crafting a three-party story with ease.
She first gained prominence in 2005 with her debut album “Music of the Sun,” which quickly established her as a force in the music industry. Known for her unique style and chart-topping hits, she has influenced music and fashion worldwide. She told Winfrey that Brown may have been the love of her life and she has developed “a very close friendship” with him. The pair worked together on the song “Birthday Cake,” released that year.
Many of her music videos were shot as short films exploring issues such as love triangles, abuse and substance abuse romance, including “We Found Love” and “Man Down”. The album’s lead single, “Diamonds”, topped the US Billboard Hot 100, becoming Rihanna’s twelfth number-one song on the chart. A synth-pop record with EDM and hip-hop elements, Unapologetic debuted at number one on the Billboard 200 with first-week sales of 238,000 copies, becoming Rihanna’s first chart-topping album in the US. Rihanna is one of the best-selling music artists of all time, with estimated sales of over 250 million records. “She continued to make incredible art and so this is a love song kind of through the lens of the motif of what she had to go through in her life and sort of the parallels that I feel in my own life.”
“Wood” and “Honey” capture the playfulness of true love, while songs like “WI$HLI$T” and “Elizabeth Taylor” see love not as a distraction from her life’s work but as the very thing that makes it feel meaningful. Many of the love songs on Swift’s more recent albums are brimming with anxiety, from Lover’s “Cornelia Street” (“I hope I never lose you, hope it never ends”) to folklore’s “Peace” (“The rain is always gonna come if you’re standing with me”). One of the biggest takes by critics — that borderlines on sexist at times — is that Swift won’t be able to write good, reflective music that cuts deep like the songs that orbit around heartache and pain.
From becoming the first woman and only artist to win a GRAMMY for Album Of The Year four times, to dealing with heightened media scrutiny, to breaking records with her Eras Tour, no one understands the highs and lows of being a showgirl like Swift. Fans rejoiced at having songs to comfort them during difficult times, and artists like Maya Hawke, Gracie Abrams, and Sabrina Carpenter credit folklore for inspiring them to create and be even more emotionally honest in their songwriting. Other songs, including “Death By A Thousand Cuts” and “Cornelia Street,” are Swift at her most vulnerable, reflecting on a love lost and grappling with the extreme worry that comes when you could potentially lose someone. When Swift released the lead single “Look What You Made Me Do,” a song she initially wrote as a poem about not trusting specific people, many assumed the album would center on vengeance and drama. The album also earned Swift several awards — including her second Album Of The Year GRAMMY, which made her the first female artist to ever win the award twice.